| Term |
Definition |
| Absorption |
Property which causes paper to
take up liquids or vapors in contact with it. In optics, the partial
suppression of light through a transparent or translucent material. |
| Ad Copy |
Lettering imprinted on any item. Usually an
advertiser's name, sales message, trademark or slogan. |
| Airbrush |
Graphic technique in which ink
is applied with compressed air, similar to spray painting, to render a
soft, airy effect. |
| Analog color proof |
Off-press color proof made from separation films. |
| Art |
All illustration copy used in
preparing a job for printing. |
| Art proof |
Artwork submitted for client approval, usually a
black-and-white stat of the camera-ready art. |
| Author's alterations (AAs) |
Changes in type at the proof
stages, made by and chargeable to the client. |
| Blind embossing |
Design stamped without metallic leaf or ink,
giving a bas-relief effect. |
| Blind Stamping |
Hot-stamping without fail. The
approach, used often with leather, gives a more subtle imprint than
hot-stamping and a shallower imprint than debossing. |
| Break for color |
To separate, by color, elements to be printed in
different colors. |
| Bug |
Manufacturer's identification
mark printed on a form or product, usually in an inconspicuous area. |
| Camera-ready art |
Any drawing, photos, illustration or lettering
suitable for photographic reproduction. |
| Casting |
Method in which molten metal is
forced into a mold of rubber or plaster, then cooled into the desired
shape. |
| Clean-up charge |
Factory charge added for the labor costs involved
in cleaning the printing press after using a nonstandard ink. Also known
as a wash-up charge. |
| Cloisart |
Hot-stamp procedure where the
desired logo/copy is foil hot-stamped on a solid brass or metal base,
then covered with epoxy dome. |
| Cloisonne |
Product in which a colored paste, made from ground
glass, is applied to recessed areas, then fired at 1400 degrees and
polished by stone and pumice to achieve brilliant color. Since gullies
and ridges separate each individual color, fine lines between them are
difficult to achieve. |
| CMYK |
Cyan, magenta, yellow, black
subtractive colors for process color reproduction. |
| Color correction |
Any method, such as masking, dot-etching,
re-etching and scanning, used to improve color rendition. |
| Color proof |
First or early printing of a
finished color ad, combining impressions from each of the separate
progressive color plates. |
| Color separation |
Separation of multicolored original art by camera
or laser-scan techniques to produce individual separated colors. There
are four common separations: yellow, magenta, cyan and black. |
| Comprehensive layout |
Final stage of a layout,
finished to very closely resemble how the printed piece will look. |
| Continuous tone art |
Photography, painting or other piece of art in
which black-and-white tones gradually merge into one another. |
| Copy |
Written content of advertising
or editorial matter in the media. |
| Cromalin proof |
Chemically created facsimile of a full-color
reproduction. |
| Crop |
To eliminate a portion of a
picture, illustration or photography that contains unnecessary material,
or to highlight a certain area of the image. |
| Crop marks |
Indicators on artwork to show where an
illustration is to be cut or sized. |
| Cut |
Broad term encompassing all
plates associated with letterpress and hot-stamp printing. |
| Deboss and color-fill |
Combing hot-stamping with debossing, so foil fills
an image that is pushed down into the product. |
| Debossing |
Depression of an image into a
material such as paper, leather or suede, so the image sits below the
product surface. |
| Decal transfer |
Imprinting method in which the decal is printed on
an offset or letterset press, submerged in water and placed on the
product. Excess water and air squeegeed off and the product is
kiln-fired, a process that fuses the decal with the glaze. |
| Die |
Mold into which molten metal,
plastic or other material is forced to make a specific shape. Also, a
tool of very hard material used to press a particular shape into or onto
a softer material. |
| Die charge |
Charge by the supplier for creating a die from
artwork supplied by the supplier. |
| Die-casting |
Process where molten metal is
injected into the cavity of a carved die. |
| Die-cutting |
Using sharp steel blades to cut shapes from
printed sheets. |
| Die-stamp |
Steel plate engraved with the
desired image, generally used to apply a gold or silver imprint. |
| Die-striking |
Method of producing emblems and other flat
specialties. A blank, cut from a metal sheet, is struck with a hammer
that holds the die. |
| Digital artwork |
Artwork created using
computer-assisted design software. |
| Digital color proof |
Off-press color proof produced from digital data
without the need for separation films. |
| Digitize |
1. to transform graphical input
data into digital form for computer processing; to transform graphical
input data into digital form for computer processing. 2. to assign a
discrete numeric value to an analog variable by analog-to-digital
conversion; to assign a discrete numeric value to an analog variable by
analog-to-digital conversion. |
| Drop Shadow |
Graphic device in which type is reproduced with an
offset second image on one edge, giving a shadow effect that visually
lifts the primary type and makes the image appear three-dimensional. |
| Dummy |
Simulation of a finished
printed piece. |
| Dye transfer |
In photography, a process of producing color
prints by tanning photographic emulsions and using them to transfer dye
solutions to film or paper coated with gelatin. |
| Electronic (Engraving) |
Any artwork from child's
signature to newspaper is reproduced as long as it can be wrapped around
a cylindrical drum. |
| Embedment |
Medallion, logo or everyday object is buried deep
in what appears to be solid glass but instead is acrylic |
| Emboss and color-fill |
Combining hot-stamping with
embossing (opposite of debossing). A raised image is stamped with foil.
True embossing cannot be performed on vinyl. |
| Embossing |
Raising of an image on a product, accomplished by
pressing the material between concave and convex dies. |
| Embroidery |
Design stitched onto fabric
through the use of high-speed, computer-controlled sewing machines. |
| Engraving |
Cutting an image into metal, wood or glass by one
of three methods; computerized engraving, hand tracing or hand
engraving. |
| Etched |
Imprinting method in which the
product to be imaged is coated with a protective coating that resists
acid. The image is then exposed, leaving bare metal and protected metal.
The acid attacks only the exposed metal, leaving the image etched onto
the surface. |
| Fired decals |
Decal that actually becomes part of the piece to
which it is applied. |
| Flexography |
Imprinting method for paper in
which a flexible rubber plate is wrapped around a cylinder. As the paper
moves under the plate, it is pressed against it by another roller, and
the ink is transferred on the paper. |
| Foil stamping |
Process in which a metal plate or die is heated
and then pressed against foil into a surface, causing the pigments of
the foil to transfer to the surface. Also called hot-stamping. |
| Four-color process |
Printing process that creates
color productions by overprinting screens that individually print reds,
yellows, blues and blacks of variable specified intensities. |
| Halftone |
Engraving made by photographing through a glass
screen that breaks the subject into small dots of varying intensities of
gray, ranging from white to black. |
| Hand or manual (Engraving) |
Used for detailed work on
materials ranging from metal to eggshells. Not practical for volume
orders. |
| Heat-transfer printing (direct-transfer
process) |
Imprinting method in which an image is screened
onto a transfer substrate, which is then laid directly on the material
to be imprinted. The image is transferred from the substrate to the
material through heat and pressure. |
| Heat-transfer printing
(sublimation) |
Process in which a design is
transferred to a synthetic fabric by heat and pressure. The heat causes
the inks to turn into a gas so that they penetrate the fabric and
combine with it to form a permanent imprint. Also called a plastocal
transfer. |
| Hologram |
Combination of several layers of refractive
material that causes the image to have a three-dimensional effect. |
| Hot stamping |
Dry imprinting process in which
a design or type is set on a relief die that is subsequently impressed
by heat and pressure onto the printing surface. |
| Hot type |
Type composed by machine and made from molten
metal. |
| Injection molding |
Process in which molten metal
or plastic is injected into the cavity of a carved die. |
| Ink jet |
Printer that reproduces by projecting ink onto
paper without the mechanical impact of plates. |
| Intaglio |
Design that is impressed into
its base material. |
| Kern |
To add or delete space between pairs of adjacent
characters. Also known as letterspacing. |
| Keyline drawing |
Outline drawing on finished art
to indicate the exact shape, position and size for such elements as
halftones, line sketches, etc. |
| Laminated |
Coated with clear plastic, or two separate sheets
of paper joined together as a single sheet to provide a special
thickness or varying colors from side to side. |
| Laser (Engraving) |
Imprinting method by which art
or lettering is cut into a material by a laser beam that vaporizes the
portion exposed through openings in a template. |
| Lenticular printing |
Process of creating multidimensional, animated or
bi-view effects by photographing with an extremely fine screen and
placing plastic made up of tiny lenses over the top. |
| Letterpress printing |
Printing method in which ink is
carried on a raised surface to the page or object being printed. |
| Line art |
Black-and-white illustration of reproduction
quality. |
| Line conversion |
Photograph reproduction as a
line illustration, accomplished by shooting the photo without a screen
and omitting the middle tones. |
| Liquid crystals |
Technology used to produce temperature reactive
products which change colors, going through a range of reddish browns,
greens, and blues. |
| Litho laminating |
Process of mounting a printed
lithography sheet to single-faced corrugated to produce a
display-quality piece that is structural corrugated. |
| Logo or Logotype |
Style of lettering or design of a company used as
a trademark to identify itself. |
| Matte finish |
Dull paper finish without gloss
or luster. |
| Mechanical |
Final make-up of printed advertisement before
transformation onto a printing plate. |
| Metal casting |
Production method in which
jewelry or other material is shaped by covering a mold with molten
metal. |
| Moire |
Screen pattern caused by the clash of dot patterns
when two or more screens are used. |
| Molded materials |
Made by pouring molten plastic
(usually polypropylene) into a cavity to make a hard, seamless shell. |
| Mounting and finishing |
Manufacturing of a display, applying litho,
die-cutting and assembly. |
| Nonrepro blue |
Color that does not reproduce
in final production, used to mark instructions and corrections on
camera-ready art. |
| Offset lithography |
Printing process in which the image is transferred
to a rubber blanket, which in turn applies it to the surface to be
printed. |
| Offset printing |
Printing process in which a
positive image is transferred to a rubber blanket in reverse, which in
turn applies it to the surface to be printed, right reading. |
| Opacity |
Heaviness of ink coverage. |
| Overlay proof |
Off-press color proof produced
with four dyed or pigmented overlay films. |
| Pad printing |
Method of imprinting in which a recessed surface
is covered with ink. When the plate is wiped clean, ink remains in the
recessed area. A silicone pad then presses against the plate, pulls the
ink out of the recesses and is pressed directly against the product. |
| Pantograph (Engraving) |
Master letters or designs are
traced with a stylus that is connected to and followed by a cutting tool
that pushes the lettering or image into metal. Used in many jewelry
shops to engrave silver-plated bowls and cups. |
| Pantone Matching System (PMS) |
Color scale used to precisely match colors for
printing. Each hue has a coded number indicating instructions for mixing
inks to achieve that hue. |
| Paper proof |
Impression of type or artwork
on paper so the correctness and quality of the material to be printed
can be checked. The least expensive is a regular black and white faxed
paper proof. The most expensive is an actual physical preproduction
sample of the product itself. |
| Paste-up |
Act of producing mechanical art. |
| Phantom |
Transparent image or ghost
superimposed over a subject. |
| Photoetching |
Printing process using an acid solution to etch a
photograph onto a metal surface. |
| Photographic imaging
(Engraving) |
1. Photometal processes
actually develop metal by using photosensitive, anodized aluminum in
either metal stock or metal sheet stock. 2. Chemical etching uses
negative or camera-ready artwork, exposes it and coats the metal using
acid or other more toxic chemicals to eat away impressions on the metal
not covered by film. |
| Photomechanical transfer IPMT) |
Diffusion-transfer process used to resize or copy
images. |
| Photostate |
Black-and-white reproduction of
original art, generally not acceptable as "camera-ready" art. |
| Plate |
Rubber or metal image carrier that transfers ink
to the printing surface. |
| Position proof |
Color proofs for checking
position, layout and/or color breakout of image elements. |
| Positive |
Image reproduction with the same density values as
the original. |
| Press Proof |
Proof of a color subject made
on printing press in advance of the production run. |
| Progressive proofs |
Color proofs that show the reproduction of each
color plate separately and in combination with each other. Also called
color keys |
| Progressive proofs or 'progs
' |
Proofs made from separate
plates in color work showing sequence of printing and result after each
color has been applied. |
| Proof |
Impression of type or artwork on paper to allow
the correctness and quality of the material to be checked. |
| Proportion |
Design concept expressing an
element's relationship of length to width. |
| Puff prints |
Screening process using puff inks. After
screening, the product is exposed to heat. A chemical additive in the
ink causes it to rise, creating a raised surface. |
| Register marks |
Cross-hair marks applied to
negatives, artwork, photographs or mechanicals to ensure precise
register on the final product. |
| Registration (hot-stamping) |
Process by which two or more hot-stamps are
aligned, so the multicolored foils fit the image area perfectly. |
| Resolution |
Density of dots for any given
output device. The unit of measurement is dots per inch (dpi). |
| Retouching |
Process of improving/highlighting necessary
details in a picture, photograph, print or drawing. |
| Reverse |
Mirror like inversion of
elements on a printing plate in relation to their order on the surface
printed from it. |
| Rotary |
Relies on a computer and controller to send
messages concerning the desired design to a flat-bed engraving table. |
| Rotogravure |
Type of printing, utilizing an
etched copper cylinder. |
| Rubylith |
Clear orange coating on an acetate base, used in
preparing camera-ready artwork when one or more colors will be used.
Also know as amberlith. |
| Sans-serif type |
Typestyle without cross strokes
at the end of the main strokes. |
| Score |
To impress a mark in a sheet of paper to
facilitate folding and help it lie flat. |
| Screen |
Series of dots used to
reproduce halftones or blended colors. As the percentage of screen
increases, the color prints darken. |
| Screen charge |
Charge by suppliers for creating a silkscreen of
the artwork used for imprinting products. |
| Screen tints |
Process in which shading and
tinting are added to a line reproduction. |
| Screenprinting |
Imprinting method in which the image is
transferred to the printed surface by ink squeegeed through a stenciled
screen stretched over a frame. Screens are treated with a
light-sensitive emulsion, then film positives are put in contact with
the screens and exposed to light. The light hardens the emulsion not
covered by the film, leaving a soft area on the screen for the squeegee
to force ink through. Also called silkscreening. |
| Serif type |
Any typeface with letters
having a cross stroke at the end of the main stroke. |
| Set-up charge |
Special charges added to certain products in a
catalog. It covers the cost of preparing the type for the press and the
actual printing. |
| Sketch |
Initial rough drawing in
pencil, ink or color to determine the arrangement of an artwork. |
| Solid |
Printed area without type or other illustrations. |
| Spec sample |
A product sample carrying a
prospective buyers' imprint, produced with the expectation that the
prospect will order it. |
| Spot color |
Color used usually for accent |
| Stat paper |
Photo print of an art made by a
camera. Use stat paper only on final proofs before going to production. |
| Step-and-repeat |
Same image printed continuously in a pattern on
the same sheet of paper. |
| Stripping |
Attaching, putting together or
assembling in negative film from the separate elements of an ad,
brochure, flyer or other printed materials into one cohesive unit. |
| Sublimation |
Dye transfer process where the image consists of a
colored dye permanently embedded into the material surface of pores.
Used to imprint messages, graphics and photographs on a variety of
items, primarily mousepads, mugs, T-shirts, caps and trophy medals. |
| Temperature reactive or
thermocromatic inks |
Process of applying a special
ink that disappears to reveal a hidden message when heat is applied. For
instance, used on a mug so that when hot liquid is poured into, the
message appears or on a glass, so that when cold liquid is poured into
it, the message appears. |
| Thermal (Engraving) |
Melts an image into the metal, based on a die.
Often used for small items such as name badges and small signs. |
| Thermal dye sublimation |
Like thermal printers, except
pigments are vaporized and float to desired proofing stock. Similar to
Thermal Dye Diffusion Transfer, or D2T2. |
| Thermography |
Means of imprinting in which powder is added to
the image to be printed. When heated, the powder fuses with the ink, and
the image appears in relief. |
| Tint block |
A photoengraving used to print
tints of any percentage of color. |
| Tip-on |
To attach endsheets or other material to the
outside of folded sections by machine applications of thin strip of
adhesive. |
| Transparency |
Full-color, translucent,
photographic film positive. |
| Transparent ink |
Printing ink that does not completely conceal the
color of the carrying material beneath. |
| Trapping |
Process of adjusting adjacent
colors to account for misregistration, which occurs due to the complex
machinery of the press and because materials stretch and shift during
printing. |
| Trim size |
Finished size of a printed piece after waste is
trimmed away. |
| Type transfer |
Sheet of type created through a
photographic and chemical process which can be transferred onto almost
any surface by burnishing the back of the sheet. |
| Typeface |
General term used to describe the styles of
lettering available in typesetting. |
| Typeset |
To create type of a quality
usable for reproduction, whether electronically or mechanically. |
| Varnish |
Thin, protective coating applied to a printed
sheet for protection, appearance or to prevent fingerprinting. |
| Velox |
Photoprint with halftone dot
pattern in place of continuous tone, ready for line reproduction. (See
PMI) |
| Vignette |
Illustration in which the background fades
gradually away until it blends into the unprinted paper. |
| Wash drawings |
Line drawings in which the
middle tones have been retained. |
| Web-fed press |
Press that prints from a continuous roll of paper. |
| Weight |
Visual effect of the thickness
or thinness of text, rules or logos. |
| White space |
Space on a page not occupied by type, pictures or
other elements. |
| Xerography |
Formation of pictures or copies
of graphic materials by the action of light on an electrically charged
surface in which the image is usually developed with powders. |